I think a man needs to be a man. To hold a woman...
Jason Momoa Quotes
I think a man needs to be a man. To hold a woman the way she wants to be held. Just do whatever your woman wants, and you'll be fine.
About the author
Born: 1 Aug 1979
Be A Man
I went to Beijing for the Olympics and was literally right across the track from Usain Bolt. And when he gets to full stride, for every two steps the other guy's taking, he's just taking one.
And that's what art is, a form in which people can reflect on who we are as human beings and come to some understanding of this journey we are on.
We always see abhorrent behavior and say why, but then we get mad when somebody tries to answer.
New Orleans, more than many places I know, actually tangibly lives its culture. It's not just a residual of life; it's a part of life. Music is at every major milestone of our life: birth, marriage, death. It's our culture.
The NFL is such a large, multibillion dollar enterprise with fan loyalty because they have provided not only entertainment for sports fans, but memories, good memories, family memories to these fans, that can only bring about good will.
It was really great to also see the response that people were having to 'Treme' 'cause you're in a vacuum when you're on a TV show. You see the response online, you read about it and all of that, but actually to be live and have that many thousands of fans come out, it's really wonderful.
A lot of cats in New Orleans, very soulful, very soulful musicians and they assume that they're singers. And they just make that assumption. And so when there's a little intonation problem, people are very forgiving of them because they heard how soulful they play.
Gregory Hines was the most talented man I've ever met or seen. Gregory Hines is one of those people that whenever he talked to you, you felt like you were the center of the universe.
One of the real worries I had before the first season of 'Treme' aired was that, man, people in New Orleans really hold movie and television shows up to a high standard in how they depict the city.
I worked at the American Conservatory Theater in San Francisco, lived there for three years, and lived in Baltimore for 12 years.